Ryan Coogler's new film Sinners may be framed as a vampire horror story, but its true brilliance lies in how it captures 1930s Mississippi through the lens of blues music - once condemned as "the devil's music" - while exploring the lives of its predominantly African-American characters, led by Michael B. Jordan's dual role as twin brothers Smoke and Stack.
As Eric Goldman noted in his glowing IGN review, the film pulses with musical energy that goes beyond background score. "The blues performances by Sammie (Miles Caton) and local legend Delta Slim (Delroy Lindo) at the twins' establishment become a springboard for examining music's universal power to connect people across generations," he wrote.
Coogler masterfully juxtaposes African-American blues with Irish folk traditions through vampire leader Remmick (Jack O'Connell), creating what Goldman describes as "a cinematic symphony that shows how music immortalizes its creators." These musical traditions serve as emotional conduits for exploring shared histories of colonial oppression between humans and vampires.
In our exclusive conversation, Coogler explained his artistic choices:
"The blues represents full humanity - body and soul. Unlike church music that edits out life's darker aspects, the blues embraces our complexities - our pains, desires, even our flaws. The juke joint becomes a sanctuary where people can express their complete selves."
"Remmick became my most personal antagonist yet. I wanted audiences to experience his layered reveal - from perceived racist to someone who genuinely identifies with these communities. His character development mirrors the film's musical journey."
The film features two breathtaking musical set pieces:
"These scenes represent the film's heart," Coogler explained. "Through cinema, I wanted to capture that indescribable feeling when music transports you beyond everyday reality."
Coogler drew striking connections between musical traditions: "Both blues and Irish folk use contrast brilliantly. The Irish may sing heartbreaking tales with energetic gusto, just as blues transforms hardship into artistic expression. Both cultures developed musical 'code languages' under oppression."

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